When I was researching the background of In My Lady’s Shadow, I found out about the existence of an old painting, showing the Rialto Bridge in Venice at the time of my novel.
The miracle of the relic of the cross at the Ponte di Rialto, dating from c. 1496 by Vittore Carpaccio shows the miracle of the healing of a man with a mental illness through the relic of the Holy Cross, which took place in the Palazzo of San Silvestro on the Grand Canal, near the Rialto Bridge.
I love the inverted cone chimney-pots of medieval Venice. The bridge is still in wood here, as it was before it collapsed in 1524. Like the current version (dating from 1591) it had a double row of shops at the sides and, at the top, a movable boardwalk needed to allow the passage of the taller vessels.
On the right is the 15th century appearance of the Fondaco dei Tedeschi, destroyed by a fire in January 1505. Other architectural features include the bell tower of San Giovanni Grisostomo, the portico of Ca’ da Mosto and the bell tower of Santi Apostoli before its reconstruction in 1672. Caterina Cornaro, the lady of In My Lady’s Shadow, is buried there.
There are wonderful human details, such as the private gondolas used as ferries
the presence of numerous foreigners with eastern style garments, women clearing carpets, and workers who are clearing their barrels. A slice of life more than 500 years ago.
The Ca’ da Mosto is still there today. The features of the palace show its beginnings as a casa-fondaco, the home and workplace of its original merchant owner. A second floor was added at the beginning of the sixteenth century, and a third in the nineteenth. The palace takes its name from the Venetian explorer Alvise da Ca’ da Mosto, who was born in the palace in 1432.
Two inclined ramps lead up to a central portico. On either side of the portico, the covered ramps carry rows of shops. We were there a week ago with our visitors, soaking up the atmosphere of this beautiful city.